Common beginner mistakes – and how to avoid them

Sensei korrigt Schwertführung

Even the first weeks of training demand concentration, precision, and body awareness. Beginners quickly learn: movements that look simple are not easy to execute. Common challenges arise.

Too much force, too little structure

Many beginners, eager to wield the sword “powerfully,” focus on sheer strength to “make an impact.” For example, the vertical cut (Tate-giri 縦切り) should have a sharp accent and a clean sound (= Sae). But force alone cannot replace proper technique. What matters is executing the cut and posture within a clear structural framework from the outset. When the body and feet are aligned stably and the movement is driven from a strong core, the sword almost naturally follows the ideal path.

Sae 冴え meaning
Sae 冴え describes a clear, sharp, and decisive finish to a cut (or technique). It refers not just to physical sharpness but also to mental resolve and precision in the moment of execution. A cut with Sae shows no hesitation—it is powerful, controlled, and definitive.

Related terms
  • Kime 決め: The focus of energy at the decisive moment (common in Karate/Kendo, but conceptually similar).
  • Tenouchi 手の内: The correct hand motion (with rotation) that contributes to Sae.
Why Sae matters

Without Sae, a cut appears limp or incomplete—even if the form is technically correct. It signifies mastery of technique and mental clarity (a core principle in Iaido).

Unclear starting/ending positions

What applies to sword movements also extends to the body. From the first moment of a kata to the final step, it’s essential to know: Where the body is positioned. Where the gaze is directed. How the sword is guided.
Even during warm-up exercises (Suburi), every point must have purpose—nothing should happen “randomly.” A common pitfall is over-focusing on the sword, causing tension in the shoulders and chest. This must be avoided through physical training. A well-conditioned body ultimately enhances sword technique.

Drawing the sword (nukitsuke) – power from the core

A key movement in Iaido is drawing and cutting. The power should not come from the arms alone but from the Hara—the body’s center of gravity, located just below the navel. Western equivalents like the “core” or “powerhouse” (deep muscles of the abdomen, back, and pelvis) emphasize stability, balance, and efficient force transfer. Activating this core during drawing results in smoother, more controlled motion with less effort—and reduces injury risk.

Hara 腹 as the power center
Meaning of hara: Literally “belly,” but in Budō (martial arts) and Zazen, it’s the physical and energetic center (about two finger-widths below the navel). Western terms like “center of gravity” are similar but lack the same philosophical weight.
Function of Hara: Seat of life energy (Ki) and internal stability. All powerful movements (e.g., cuts) should originate here—not from the arms/shoulders. Relying on arm strength leads to tension and “telegraphing” movements to opponents.

Iaido practice
  • Breathing: Deep abdominal breathing (Seika Tanden 臍下丹田) stabilizes Hara and mind.
  • Posture: Upright yet relaxed core (no forced tension as in Western training).
Mental aspect

Hara wo neru (腹を練る, “training the belly”) cultivates calm under pressure. This contrasts with Western “overthinking”—intuition and action should flow from Hara. A person with strong Hara embodies both serenity and strength.

Haragei 腹芸

Haragei (“belly as center”) is the ability to read intentions and energy from the hara (body’s core) while controlling one’s own movements. Essential in Iaido for sensing opponents without revealing your actions.

Basic hara training

  • Zazen: Seated meditation with abdominal breathing (Seika Tanden); fast progress but internal challenging.
  • Simple core exercises (e.g. planks) for body awareness; with external practice, you’ll learn to move substantially from your center.

Rushing techniques

Beginners often want to perform entire kata quickly. But prioritizing speed over precision sacrifices control of angles, sword alignment, and posture. Better: Master each movement individually before transitioning to fluid sequences.

Zanshin – sustained awareness

Zanshin (“lingering mind”) is a state where focus and presence endure even after a technique ends. Beginners may struggle to maintain this concentration, yet it’s what gives movements completeness. Zanshin isn’t an added action but the natural extension of focus—a readiness for whatever follows.

Neglecting basics (e.g. nōtō/sheathing)

Sheathing the sword seems trivial but is technically demanding. Many treat it as an afterthought, leading to sloppy motion or self-endangerment (especially with a live blade, shinken). Iaido teaches unwavering focus even here—an opponent (or ally) could attack at any moment (see Inyoshintai kata).

Conclusion

Iaido isn’t just linking movements; it’s the interplay of technique, posture, awareness, and inner calm. Conscious practice from day one builds the foundation for clean, powerful, and authentic swordsmanship. Mistakes aren’t obstacles but guides—Ganbatte!

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